First shoot was at Mouser Electronics in a server room I’d later spend more time in than I’d ever planned. Jeremy kept asking me back, and the gigs split into two: the upcoming documentary series, and whatever else the studio needed. That’s the year I stopped being someone who used Photoshop occasionally and became someone whose week was Photoshop, Premiere Pro, and After Effects in rotation. The other thing I picked up was the production side: shoots don’t happen by themselves, and somebody has to be the somebody.